Oh I Just Can't Wait To Be King! (Part 3)

Lyrical Philosophy

Let me get this straight. You know her, and she knows you, but she wants to eat him. And everyone's okay with that? DID I MISS SOMETHING?

- Timon

The score of the film adds a great amount of insight to the understanding of the film as it is classified as both an Animated Feature and a Musical. “Nants ingonyama agithi Baba Sithi uhm ingonyama Siyo Nqoba Ingonyama nengw' enamabala” the opening lines to the film are Swahili meaning “Here comes a lion, Father. Oh yes itʼs a lion. Weʼre going to conquer, a lion and a leopard come to this open place.” This chant is repeated for more than a four minutes as the sun rises and Simba is christened. This opening song informs the view as to what the story is going to be about. It also displays an idea that the earth is one, there is some spiritual other that directs life but persons walk in. This form of compatabilism is evidenced by the later lyrics “It's the Circle of Life and it moves us all, through despair and hope, through faith and love, till we find our place on the path unwinding.” Through the film Simba is moved by the circle of life, yet he must “take his place in the circle of life.” There is indeed room for some Hakuna Matata, but not to the extent that apathy wins the day. One can see where Pinski gets the idea that Hinduism influenced this film. Life is cyclical in this film, however the Hindu concept of reincarnation is not found interestingly enough. Instead there is a concept of disembodied immortality found in the later portion of the film which seems to draw more on a neo-platonism than Hindu concepts. Mufasa has escaped the body and is “guiding” his son Simba. One can see a link to the Star Wars series where though apart from the body Obi-wan Kenobi guides Luke Skywalker.

“I Just Canʼt Wait to be King” captures the ideal of absolute independence, even though it is used as a distraction in the film. “No one saying do this... No one saying be there... No one saying stop that... No one saying see here... Free to run around all day... Free to do it all my way.” This is the childish idea of complete independence; actions without consequences. It is important that this song is placed just before Simba and Nala enter the Elephant graveyard. Minkoff brings Simbaʼs idea of a life without consequences and independence to a state of complete dependence on Mufasa for salvation. Also Simba is forced to face the consequences of placing not only his own life in danger but also Nalaʼs. He must face his disappointed father and learn his small paws are not ready to fill Mufasaʼs prints. Unfortunately for Simba this lesson must be learned over and over. It takes the death of Mufasa, years in exile, a stern word from Nala, and the advice of Rafiki to allow Simba to finally understand what it means to be King. That with that greater independence he so longed for, come greater responsibilities. This harkens back to the words of Christ, "Everyone to whom much was given, of him much will be required, and from him to whom they entrusted much, they will demand the more.”¹

All great films have a villain and The Lion King does not disappoint in this respect. Scar is a pinnacle of treachery and villainy. The song “Be Prepared” shows the depths of evil the human (or lion) heart can attain. Arrogance, cunning, and deceit are all displayed in the lyrical philosophy of this song. Scar sets himself above the Hyenas, calling their minds “warthog's backsides.” He continues to display cunning and deceit when he states he is planning “the coup of the century.” This of course he fulfills when he kills Mufasa in the gorge scene. While Simba in “I Just Canʼt Wait to be King” was seeking independence, Scar represents blind, cut throat ambition. While the two songs have much in common, their starting points are different.

Another philosophical song is “Hakuna Matata.” Indeed Hakuna Matata “means no worries” and is a “problem-free philosophy.” This is the philosophical outlook of Timon and Pumbaa which can basically be summarized as “Stuff Happens.” After the death of his father Simba seems to try to deal with the pain of that death by avoiding life. Here Minkoff seems to be delving into the psychology of loss. Simba grows up, literally and figuratively to the tune of this song. This is a very common way for many people to deal with loss. Unfortunately if the story of The Lion King teaches us anything, it is that the philosophy of Hakuna Matata does not work and is not fulfilling. It is merely the band-aid placed over the soul. It lacks the power to be lived. It is for this reason that Simba returns to Pride Rock. In this sense, in the aformentioned clash between the east and the west the west comes out ahead.

The final lyrical song of this film is a piece called “Can You Feel the Love Tonight?” This is the only lyrical song that takes place when during Simbaʼs adult life.² Exploring the nature of what can be expressed in a relationship this song deals with brotherhood, the past, and coming of age. The song is less of a love song that one might expect for a song with that title. Nala is seeking to see Simba become great, but Simba is unable get over his past. The song asks the question why lies, or omissions of truth are acceptable in a relationship? There is also some verbal irony in the lyrics Timon opens the song with a statement about disaster being in the air, Nala and Simba are in a silent fight yet the song continues “Can you feel the love tonight? The peace the evening brings. The world, for once, in perfect harmony, with all its living things.” All the characters at this time are in conflict, even if it is only a minor one. Minkoffʼs inclusion of this song suggests that in the course of interpersonal relationships persons often view them with rose colored glasses on.

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1.) Luke 12:48 (English Standard Version)
2.) The Circle of Life is repeated at the end but only the chorus and no new lyrics are added.